TRINITY COLLEGE, Hartford, CT
Visiting Assistant Professor in Acting
THDN 103 Basic Acting: Stanislavski-based techniques, Viewpoints,
scene work with contemporary American plays.
UNIVERSITY OF MASSACHUSETTS, Amherst, MA
Fall 2019-Spring 2020, Spring 2012, Fall 2003
Lecturer in Acting
TH494 Actor-Director Collaboration: Working with graduate
directors, students learned rehearsal techniques, improvisation and strategies for risk-taking through scene study.
TH442 Audition techniques: Monologues, cold readings, mindfulness practice, developing a repertoire of audition
TH342 Acting 1: (partial semester substitute for Prof. Julie Nelson). Introduction to action, ensemble-
building and Viewpoints.
TH142 Beginning Techniques in Performance: Stanislavski-based techniques, Viewpoints, scene
work with 10-minute American plays.
HARTT SCHOOL, UNIVERSITY OF HARTFORD, Hartford, CT (1998-2008)
Associate in Opera
DRM120: Stanislavski based techniques, movement training, contemporary American scene work.
DRM 220: Stanislavski based scene work, text analysis, movement study, Viewpoints, techniques of
Robert Wilson and contemporary artists.
DRM320: Character work, classical scene work, text analysis, arias.
DRM620: Graduate-level course in Stanislavski and Meisner based techniques, movement, text
analysis, Viewpoints, and scene work.
INTERMEZZO MUSIC FESTIVAL, Hartford, CT (2004)
Taught acting classes for graduate and young professional opera singers.
UNIVERSITY OF NORTH CAROLINA, Chapel Hill, NC (1997-98)
DRAM 135 Acting for Non-majors: Introduction to basic processes and techniques of acting
for the stage.
DRAM 136 Movement for Non-majors: Introduction to basic movement for the stage,
including techniques of Barba and classical dance.